My practice explores graphic design as a space for inquiry, where visual form becomes a means of investigating ideas, relationships, and systems. Working primarily through logo design and visual identity, I am interested in how seemingly simple forms can hold layered meanings and establish connections between an individual, an organization, and its audience.

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My process moves between research, observation, sketching, experimentation, and refinement. I develop workflows that allow ideas to emerge through iteration rather than treating design as a linear process. Through this approach, I consider the relationship between intuition and structure, authorship and collaboration, and concept and form.

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As an MFA candidate in Graphic Design, I am expanding my practice through critical research and experimentation, examining how visual identities can function not only as recognizable marks, but as evolving systems of communication. My work seeks to create identities that are thoughtful, adaptable, and grounded in both conceptual intention and visual clarity.